Large un-stretched canvas and sheets of found metal along with cast objects are used to create works that incorporate detailed renderings of plants, vases, isolated words, cartoon and historical characters. The imagery and storytelling in his works in part derives from his earlier life experience as a graffiti artist on the streets of São Paulo and his interest in music, history, philosophy and symbology. His work encompasses a varied and at times poetic exploration of his relationship with the city where he works and lives.
I don’t consider myself a figurative painter. I paint images as objects, not as figuration. In Brazil, it’s more difficult to find something close to what I do. The school of painting in Brazil is different from mine. In fact, I don’t worry about being a painter. I’m more influenced by music.
I have some paintings where the title is taken from a song. If you think of the composition, you can imagine a rapper, sampling and repeating to produce the beat. I do it with my pieces: I cut a part of the history and reproduce, cut another part and reproduce. The balance of the composition works according to the flow of the objects. There’s repetition, and you realize that there are lines that connect the objects and mark making.
I’m interested in social issues because this is part of my own history with painting and as a person – my aesthetic interests overlap with these issues. If you live in Brazil, these socio/political questions are part of your day-to-day. I’ve expanded my painting into space. My work already had this character due to its architectural scale and my personal research into vernacular and popular architecture. — Paulo Nimer Pjota 2016
PAULO NIMER PJOTA: Synthesis of Contradictory Ideas, and the Plurality of the Object as Image Part 2
Exhibition Dates: April 28 – May 29, 2016
Private View: Thursday April 28, 2016, 6.30 – 8.30 pm
21 Herald Street
London E2 6JT